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For the young women of the mid-century courtship and dating was a group affair.Getting to know the opposite sex frequently meant a gaggle of guys and girls hanging out at the ice rink, going to concerts or the cinema, having fun at someone’s house or mingling during an organized activity.The film adaptation hit theaters at the close of 1960, and when spring break rolled around three months later, 50,000 college kids flooded the town.George Hamilton's bronze tan and Connie Francis' theme song would inspire countless adolescents.

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Dating, courtship, going out, going steady – whatever you called it it was a different concept in the 1960s than the internet laden landscape of the 21st century.

The two would spend time together, usually with the supervision of her parents so that they may get to know each other on an intellectual and emotional level.

The couple was rarely left alone, making sexual intimacy (and physical contact in general) nearly impossible.

Annette Funicello and Frankie Avalon built a beach franchise — a beach empire — for American International Pictures.

But because of the season, we are going to focus on a more specific type of beach flick — the spring break movie. Sing along now, "Wheeeerrrrre the booooys are…" No piece of entertainment had a more profound effect on the vacation habits of 20th century college students.

The women who participated in my project started ‘dating’ anywhere from 12 to 18 They met their beaus at schools and youth clubs, in jazz clubs, at work, at the bowling alley or just through friends.

Dating meant hanging out with a boy, having him walk you home, and perhaps a kiss good night.

For this reason, the history of dating tends to be quite different for the LGBT population.

In the first decade of the twentieth century, men "called upon" young women whom they fancied by (with the permission of her parents) visiting her home.

The most unheralded performer in 1960s cinema is sand.

Never before or since had the beach played such a prominant role in movie plots.