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In India, prostitution (the exchange of sexual services for money) is legal under certain conditions, and a number of related activities, including soliciting in a public place, kerb crawling, owning or managing a brothel, pimping and pandering, are crimes.
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Margaret Sanger dedicated the majority of her life to fighting for women's right to contraceptives.

Garson has also appeared in three movies from the Farrelly brothers—Kingpin, There's Something About Mary, and Fever Pitch.

Even with the Doctor's advice, Kay and Arnold find that renewing their marriage's fire is a daunting challenge for them both.

Early in the movie, when Kay gives the leaflet to Arnold at the breakfast table, camera angle 1 shows him folding the paper and placing it on the table.

, Buffy the Vampire Slayer, Friends, The X-Files (twice and as two different characters), Cheers (as a waiter in the episode Cape Cad), Yes, Dear, CSI: Crime Scene Investigation, Pushing Daisies, Stargate SG-1 (3 episodes), Wizards of Waverly Place, CSI: Miami, Mental, Spin City, and Taken.

He co-starred in the 2007 HBO series John from Cincinnati.

Then it cuts to camera angle 2, and Arnold is folding the paper again. We all know about Meryl Streep & Tommy Lee Jones, but even they deliver some newness.

See more » A slightly-over-middle-age couple finds themselves in more than a rut, post-post empty nest. An overly-simplified plot outline for a lovely, sweet, funny, sad, quiet movie that allows the cast's acting talents to shine. But Steve Carell gives us a nuanced performance without the smallest hint of shtick.

His other film credits include Groundhog Day, Just Like Heaven, The Rock, Fortress 2: Re-Entry, Being John Malkovich, Freaky Friday, Labor Pains, and Out Cold.

He made a cameo in the end credits of Jackass Number Two, with the full context of the cameo being explained in Jackass 2.5.

A look at the lives of the strong-willed women of the Weston family, whose paths have diverged until a family crisis brings them back to the Oklahoma house they grew up in, and to the dysfunctional woman who raised them.

An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.